Skip to main content

OUGD603 | Extended Practice | Brief 04 | Final Design & Evaluation | Action against Animal Cruelty Campaign - Petection |

Final Design - Petection Adoption Gift Box
Below are the finished photographs of the physical Petection adoption gift box. 









Evaluation
In conclusion the design process of our Action against Animal Cruelty brief also known as satisfactory. Initially at the beginning stages of the brief we were unsure to either do something minimalistic or extravagant  to produce for the final outcome of the brief. We wanted to make something which is able to make main consumers and new potential consumers the awareness of animals in cruelty (especially: cosmetic testing, medication/science, used for fur and adopt not buy.) One idea of final outcome was to create four seasons of animals magazine. The reason of this idea was that an editorial product such as a magazine will be able to convey the awareness of animals in cruelty. The second idea of the potential final outcome was to create an adoption gift box, with posters and a possible website mock-up design. 

By using the google drive as a media sharing platform that my collaborator, Aneta sidorko we both could access. This platform was beneficial for the both of us as we were able to edit, critique, share informations and work on each others designs. The google drive made everything organisable as we put them in folders: colours, development, typefaces, sketches, vectors, Photoshop, Photographs of animals and so on. This sharing media platform was appealing as we were able to given each other constant feedback. 

Due to timescale we were unable to deliver a four different editorial pieces for cruelty of cosmetic testing, used for fur, medication/science, and adopt do not buy. One reason of our drawback on this idea was due to as our own individual spearate projects, lack of editorial skills and techniques (Bleed, pages and layout), and deciding which research information is more significant for the magazine. Therefore an adoption box was also considered as a secondary idea to persuade and make aware animal cruelty is still continuing. 

However, since we planned to produce a few physical products for the inside of the adoption gift box. Due to our own separate work and time scale we were unable to develop and elaborate on this especially a physical t-shirt design of the campaign and being able to photograph it in the studio worn by models.  

Overall, the brief challenging yet adequate. The main challenges of this brief was decide what we wanted to put in the adoption box. We collected a lot of research and information of existing adoption gift boxes and majority of them included a few practical pet/animal produces. But for our approach we wanted to gift a present to the consumer for donating for the campaign and saving potential animals still in cruelty. We were able to exacute posters and website mock-up designs which the consumer can look more into the adopting scheme and what the campaign does to help animals in cruelty. Nevertheless the collaboration and communication between Aneta was sufficient as we worked very well together helped each other in designs aspects, we considered each others personal projects and tried to communicate and respond if needed.To conclude I would collaboration with Aneta again as we did communicate well (especially when using the google drive platform to share designs.)

Comments

Popular posts from this blog

OUGD603 | Extended Practice | Brief 03 | Development - Publication Layout design - Leah | BBC (Our Generation) - Life being British Born Chinese

Publication Layout - Leah For the inside of the 'Our Generation' publication, the collaborator Leah was in charge of this  brief's outcome segment. The publication's layout was constructed with 'Adobe Indesign' Leah made guide lines and measurements to help assist where the Photographs and the text should be placed. Illustrations of a paint brush stroke was experimented to give the pages more characteristics. We mutually agreed to make the size of the publication A5 format, and the number of pages are 16. Previously it was going to be 17, however one participant was unable to provided us with their childhood photo for us. Due to this situation Leah had to be more selective with the photos and information (Quotes) that we believe was significant for outlining our briefs context.  Below are some images of this layout format: Participant page order by names: Katie Sung  Leah Chen  Jackie Wan Tracey Lau Eliza Mo Kylie Lee Lewis Capper...

Studio Brief 01 - How Do You Read? - Second Development

In this blog, I have finish printing out the physical  small publication book of Design Principles. I believe this second  development work was successful as the colours of the type has  been nicely and evenly printed out.The information on the  pages are arranged properly in the right order as to the the one  on the Macbook. However, I need to chose a different type of paper  stock which is much sturdier, e.g - card stock. As when I put the rubber band around the spine of the book it curls. Even though the  visuals of the book is very minimalistic and simple I believe this is  appropriate to the audience who would read this kind of book context.  Especially, for young students who want to learn the right knowledge  and information of design principles, whilst becoming a Graphic Designer. For the colour scheme I went for a very neutral yet colourful scheme,  as these colours only outline the significant factors of Design...

'Every Book Starts with an Idea: Notes for Designers' - by Armand Mevis (Notes/Analysis)

During this session, we look into and analysis an essay called 'Every Book Starts with an Idea: Notes for Designers' by Armand Mevis.  The whole class did a group discussion, we shared some significant quotes within the essay that relates to our brief Type in Context: ' All these books have to be designed. Someone needs to decide which paper, typography, cover, to use'.  'It may be a jungle; you may find it hard to get the nice job, and you might get lost, but that is part of the adventure'.  Mistakes are inherent to the job of making books through trial and error'.  Over the years we have learned to limit the number of mistake; we are now much more in control'.  'Ideally, all books start with a question. The clearer the question, the more precise the answer'.  'As designers we are as responsible for content as anyone else'. 'Some books arrived in plastic bags like garbage, stac...