Studio Brief 01 - Professional Practice/Secret 7

In this Studio Brief 01 - Professional Practice/Secret 7. We should aim to visually explore the artists and tracks, through the context of the Secret 7 competition. In this case I am competing against 1000's of submission from all over the world to present how my designs/final design can stand out compare to the other contestants.

What are the obvious responses? How can you knowledge of these inform your own visual investigation.

100 designs for each track will be selected, pressed and printed to be exhibited at Sonos Studios in Shoreditch / London. These will be sold for £50 to raise money for the Amnesty International. Creatives from around the world are invited to interpret the tracks in their own style for every 7.

Initial Research/Considerations

In this we should aim to explore the visual semiotics of the tracks from a personal perspective, how do you interpret the content, lyrics, genre, style... (and so on) in a visual sense. To begin this brief, visually research by examining celebrated music artwork designers including:

Peter Saville
Jamie Reed
Annie Leibovitz
Strom Thorgerson
Fred Deakin
Mark Farrow
Leif Podhajsky

"Design is About Doing" - This is an opportunity to visually and conceptually exploit every possible angle of your ideas. We are expecting a visual feast of ideas before you even consider resolving the problem.

Competition Briefs

Awards

Exposure

Networking

Prize money/Income

Recognition

Placements

Comments

OUGD603 | Extended Practice | Brief 03 | Development - Publication Layout design - Leah | BBC (Our Generation) - Life being British Born Chinese

Publication Layout - Leah For the inside of the 'Our Generation' publication, the collaborator Leah was in charge of this brief's outcome segment. The publication's layout was constructed with 'Adobe Indesign' Leah made guide lines and measurements to help assist where the Photographs and the text should be placed. Illustrations of a paint brush stroke was experimented to give the pages more characteristics. We mutually agreed to make the size of the publication A5 format, and the number of pages are 16. Previously it was going to be 17, however one participant was unable to provided us with their childhood photo for us. Due to this situation Leah had to be more selective with the photos and information (Quotes) that we believe was significant for outlining our briefs context. Below are some images of this layout format: Participant page order by names: Katie Sung Leah Chen Jackie Wan Tracey Lau Eliza Mo Kylie Lee Lewis Capper...

Studio Brief 01 - How Do You Read? - Second Development

In this blog, I have finish printing out the physical small publication book of Design Principles. I believe this second development work was successful as the colours of the type has been nicely and evenly printed out.The information on the pages are arranged properly in the right order as to the the one on the Macbook. However, I need to chose a different type of paper stock which is much sturdier, e.g - card stock. As when I put the rubber band around the spine of the book it curls. Even though the visuals of the book is very minimalistic and simple I believe this is appropriate to the audience who would read this kind of book context. Especially, for young students who want to learn the right knowledge and information of design principles, whilst becoming a Graphic Designer. For the colour scheme I went for a very neutral yet colourful scheme, as these colours only outline the significant factors of Design...

OUGD603 | Extended Practice | Brief 09 | Development - Sketches & Ideas | OOHDEER Brief - Pitch A Papergang competition!

Inspirations By considering examples from previous Papergang boxes, Paperchase's Collection and Muji's minimalistic approach. Japanese origami has greatly inspired the theme for the Papergang box. The images below convey the influence of the decided theme/pattern for the Papergang box. Both Origami Cranes and Stars are very simple yet vividly attractive especially how both origami pieces are three-dimensional. This could be an authentic and popular trend for stationary products. Initial Sketches The initial sketches are illustrations versions of the origami stars and cranes from the images above. The idea of these illustrations were to make them imitate the real origami pieces by keeping them three dimensional yet emblematic . The stars and cranes can be more distinguishable this way for consumers to recognise them to the real origami. Illustrator Vectors After deciding which illustrations looked ideal as the r...

Studio Practice

Search This Blog