Type in Context - Pyrography Design Practice

By following the sketches design for the front cover of the publication. I have done some experimentation of the pryography designs, that I had sketched out. First I did a rough sketch outline of the design, I did this by transfering the sketch in my sketchbook on tracing paper, then tracing over the sketch on the back of the tracing. This whill then allow me to transfer the lead mark onto the wooden A4 sheet in the correct side.

After that, before going over the print design with the pryography pen. I practiced using the pryography pen, especially when the pryography pen has various type of tips. During the few attempts of doing different strokes and lines, the tip that I used to outline my design and adding textures was the thinnest tip. This is because, the thinnest tip has more control whilst the thicker tips where more challeging to control, specifically for outlining strokes. What also made the thicker tip more difficult to control was the amount of pressure, I would either put too much that u will really burn the wood or to light pressure that no mark will show up.

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'Every Book Starts with an Idea: Notes for Designers' - by Armand Mevis (Notes/Analysis)

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Studio Brief 01 - Logotype, Krispy Kreme Doughnuts

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Ideas for Type in Context Publication

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Studio Practice

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