Skip to main content

Type in Context - Putting Final Publication Design together

The images below show how I am putting together my publication, this is demonstrated by a coptic binding method. 

A coptic binding can be made with or without covering leather. If left uncovered, a Coptic binding is able to open all the way. If the leather is excluded, a Coptic binding is non-adhesive, and does not require any glue in its construction.

Artisans and crafters often use coptic binding when creating hand made art journals or other books. Instead, I am using a wooden cover for my publication. 

Coptic bind books are usually made up in three or more sections of booklets. For my one it is made of three booklets. This is how my publication is going to be constructed, I will need to drill holes on my hard covers (front & back). Then use wax thread to sew the pages and book covers together. 



As my book cover is a hard wood cover, I had to drill holes to allow the needle and thread to bind it together. The space between the holes are 4cm apart but at the top and bottom of the edges of the book, they had to be half a cm so the wood would not snap when being drilled into.




The images below demonstrate the process of binding my publication together. For a single coptic binding stitch. The coptic stitch is sewn continuously from hole to hole along each successive signature, looping up to the signature above to create the pattern. 

Firstly I begin by getting a piece of A3 spare paper as a template, by outlining the points of where the holes are on hard back and front covers. Then I use the template for the sections of my pages and mark where the holes will be there as they need to match the hard cover holes. This will then allow me to sewn a continuous coptic stitch bind. Then with tool Awl, this will allow me to create the holes for the needle and thread to go through the pages. 







To begin, inside the first sewing station, leaving a tail (of thread) inside to tie later. Attach the cover (in my situation, I started with my front cover) and one station at a time. 

After sewing the cover at the last station, do not go in the final of the first signature, instead add a new signature and go into the corresponding hole in that. Continue sewing along the signature, looping around the three above at each station to create a chain pattern across the spine.





Secure the end of each row with a kettle stitch (a knot tied in the thread that links one section to the next.) The attach the back cover and tie off the thread ends inside. 


Comments

Popular posts from this blog

Objectivity - Subjectivity

Evaluation: Overall, my final evaluation including looking at my peers/year tutors feedback of my logotype. Has shown that I needed to do more research into my colours, as I tried to stick with the original colours of the current logo of Krispy Kreme. As my last critique group told me to stick with them without changing it. Some liked and disliked the outline of the typography as some say it looked like icing, whilst others said it would be better if it were fuller so it makes more of an impact. Most of the comment was about the bad colour choices of the Green as it has connotations of an industrial, chemical and unhealthy look. But some said it could have connotations of high sugar as for a donut. Everyone recognised the doughnut shape for the logo, some saw the neon letter as an American diner look as my critique group told me to stay with the retro look. One of my others peers comment, that the use of the contrast between the Sans Serifs and Serif typography is appropriate to d...

'Every Book Starts with an Idea: Notes for Designers' - by Armand Mevis (Notes/Analysis)

During this session, we look into and analysis an essay called 'Every Book Starts with an Idea: Notes for Designers' by Armand Mevis.  The whole class did a group discussion, we shared some significant quotes within the essay that relates to our brief Type in Context: ' All these books have to be designed. Someone needs to decide which paper, typography, cover, to use'.  'It may be a jungle; you may find it hard to get the nice job, and you might get lost, but that is part of the adventure'.  Mistakes are inherent to the job of making books through trial and error'.  Over the years we have learned to limit the number of mistake; we are now much more in control'.  'Ideally, all books start with a question. The clearer the question, the more precise the answer'.  'As designers we are as responsible for content as anyone else'. 'Some books arrived in plastic bags like garbage, stac...

Studio Brief 01 - How Do You Read? - Second Development

In this blog, I have finish printing out the physical  small publication book of Design Principles. I believe this second  development work was successful as the colours of the type has  been nicely and evenly printed out.The information on the  pages are arranged properly in the right order as to the the one  on the Macbook. However, I need to chose a different type of paper  stock which is much sturdier, e.g - card stock. As when I put the rubber band around the spine of the book it curls. Even though the  visuals of the book is very minimalistic and simple I believe this is  appropriate to the audience who would read this kind of book context.  Especially, for young students who want to learn the right knowledge  and information of design principles, whilst becoming a Graphic Designer. For the colour scheme I went for a very neutral yet colourful scheme,  as these colours only outline the significant factors of Design...